Led Zeppelin – The Song Remains the Same Streaming
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Led Zeppelin – The Song Remains the Same Streaming.
Movie Title: Led Zeppelin – The Song Remains the Same Led Zeppelin – The Song Remains the Same is available for streaming or downloading. Click Here to Stream or Download Led Zeppelin – The Song Remains the Same |
Released in 1976, The Song Remains The Same is footage taken on three nights in Led Zeppelin’s 1973 concert at Unusual York’s Madison Square Gardens. The band performs “Rock and Roll,” “Dismal Dog,” “Since I’ve Been Loving You,” “No Quarter,” “The Song Remains The Same,” “The Rain Song,” “Dazed and Confused,” “Stairway to Heaven,” “Moby Dick,” “Heartbreaker,” and “Whole Lotta Appreciate.” The film is structured such that it starts off with a fantasy sequences and then shots of the band at home with their families before the tour starts, then there’s documentary footage of the band arriving in Current York and driving into Manhattan, before the concert begins. The onstage shots are largely of Robert Plant, with some of Jimmy Page, less of John Bonham, and really only one or two of John Paul Jones (who literally wears a heart on his sleeve) . Robert Plant is dressed in jeans, shirtless under a dainty vest, John Paul Jones is also shapely in some sort of Victorian garb, Jimmy Page is an alien in a star suit, and John Bonham a lad in white pants and a t-shirt. The onstage footage is okay, but there’s probably too mighty camera attention given to Robert Plant, rock ‘n’ roll’s expansive Adonis, not nearly enough to Jimmy Page, rock ‘n’ roll’s ample Anubis. For some of Page’s solos the camera is elsewhere (such as on John Paul Jones during the extraordinary “Since I’ve Been Loving You” solo, or on all the other members of the band when the crunchy riff of “Dazed and Confused” kicks in at the beginning of the song), or even when the camera is on Page during a solo the focus is too high and you can’t stare what he’s doing with his hands, very frustrating. During other solos the director cuts to a fantasy sequence or shows documentary footage. Sometimes this works well, such as during the wanky 20-minute “Dazed and Confused” solo, but I’d liked to have watched the “No Quarter” solo.
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The fantasy sequence that initiate the movie is probably the best one, showing John Bonham, manager Peter Grant and tour manager Richard Cole dressed up as gangster hitmen driving an old-timer from one country estate to another, which they move to shoot up with machine guns. Whoever their enemies are (one of them, apparently, is Roy Harper) is never explained, the episode is quite surreal. Then it goes to the reveal day, Peter Grant is on a phone, a message is dispatched, a messenger delivers a letter to Robert Plant on his farm in Bron-Yr-Aur where he’s watching his kids playing, the five-year-old Carmen Jane and the two-year-old Karac (who would, tragically, die of a viral infection four years after), John Bonham is plowing the fields with a tractor, John Paul Jones is reading “Jack and the Beanstock” to his daughters Jacinda, Tamara and Kierra, Peter Grant is driving an old-timer with a woman, Richard Cole is driving another old-timer to a pub, and Jimmy Page is playing a hurdy gurdy by the lake (he turns around, his shades glow orange and the world goes psychedelic) . John Paul Jones gets the only lines of any of the intro or fantasy sequences, when he reads the letter: “Tour dates!” (goofy grin) . “This is Tomorrow!” (discover of terror) . Cue Led Zeppelin’s jet The Starship landed in Unusual York, limousines, police escort, the pastoral “Bron-Yr-Aur” plays as the limos near Madison Square Gardens. Doves cruise through the air. We are in a dusky, crowded plot, the band seems to be onstage, we hear the massive drum intro to “Rock ‘n’ Roll,” then the lights approach on and it’s Led Zeppelin!!!!
But you do scrutinize some Jimmy Page, there is even a nice shot that highlights drops of sweat that have fallen on his Les Paul. In many of the shots of Robert Plant, his crotch is in definite understanding and the shape of his genitals is quite clearly outlined through his tight jeans. Titanic crowd shots, including scenes of girls in rapt attention, plenty of stoners, even sad guys dressed like pimps. Frosty theremin bits, including one blast in “No Quarter,” and plenty more in “Whole Lotta Treasure.” Too many non-band members in plan in some of the shots, so it’s not very intimate. Bonzo working the drum, grimacing and gnashing his teeth, flicking his tongue. Snatches of “San Francisco (Be Determined To Wear Flowers In Your Hair) ” sung during “Dazed and Confused,” also the violin bow, and a tiny bit of “Gloomy Sabbath” at one moment. There’s a chilly guitar pickle at the extinguish of “Dazed and Confused” that could probably even be considered a song of its enjoy. The camera work, while it was generally quite aged throughout, does some captivating things at times, such as going around 360 degrees as some points, and at one point in “Stairway to Heaven” there is a frosty split-screen mirror doubling thing, like Prince did in “When Doves Sob,” highlighting Jimmy Page playing guitar (and another of Robert Plant quadrupled. Of course, in other parts you glean the sense that shots from other parts of the night have been stitched edited together, and there is occasionally the feeling that what we’re watching is authentic – apparently some gaps in footage were filled by having the band re-shoot on a recreated stage in 1974, aping their movements of that night in Fresh York. But the band is tight, and it is wonderful how, after a 20 slight digression in the solo of “Dazed and Confused,” the band gets suitable benefit into the song without stumbling in the slightest.
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There are also subtly comic bits, like when Robert Plant flashes the two-finger salute with one hand and the V for Victory with the other during the “you know sometimes words have two meanings” lyric. Of course, there’s also the renowned “Moby Dick” drum solo where everyone goes off, that reveal Bonzo throwing away the sticks and using his hands to drum, splicing elegantly at one point to a clip of Jason Bonham on the drums – he must have been five years stale in the shot. Provocative in “Whole Lotta Treasure,” you actually behold Jimmy Page for the first time stepping up to the mic to create some sort of backup vocals in the chorus, although you don’t really hear him. Why that song and no other? Nice shot of Jimmy playing the theremin in “Whole Lotta Esteem,” then Robert in Jimmy’s underarm. Chilly shot of Orange amp head at 1:58:23. Robert ad-libs a lyric “some are lined with gold – Acapulco Gold.” They accomplish the situation and Bonzo attacks a gong with a flaming mallet, and the gong frame lights up. The band walks offstage, the house lights approach on, and the band gets into their limo and moves on. The band are seen at the airport getting into the Starship, and that’s all there is.
Besides the opening fantasy scene, four others appear throughout the movie; the first one spliced into the concert is John Paul Jones’, which comes during a long organ and guitar interval in “No Quarter,” it shows him playing a titanic church organ, then riding around in a screen with three other masked horsemen, before he returns home to a Victorian household and his ravishing wife and daughter (played by Jimmy Page’s girlfriend at the time and their daughter) . Robert’s fantasy scene is during “The Song Remains The Same” and “The Rain Song,” it shows him on a beach with a sword, riding around on a horse, galloping, eating a large red toadstool he found in the forest, the sword burning on the beach at night, a castle where he uses his falcon to attack people in the castle, then he goes up and has a sword fight, rescuing a damsel in harm. Broad long shot of him riding in the mountains, the camera pulls relieve to note the large valley he’s entering. Jimmy’s fantasy scene is in “Dazed and Confused” and shows a mountain at night, a stout moon, Jimmy climbing up the mountain (the draw illustrious occultist and mountaineer Alistair Crowley, his idol, did on so many treacherous passes), kind of an strange notion for such an un-athletic person. He reaches a ledge where a man is standing, it is The Hermit from the Tarot deck (and also seen on the band’s fourth album) . The Hermit lifts his head and regresses in age until you realise it’s Jimmy Page, then a baby Jimmy, then a foetus in the womb, then a flash of lightning, then he ages again into The Hermit (later in Dazed and Confused” there’s also a frosty portion where a shot of Jimmy freezes and the camera zooms up into his peek and cuts to a documentary scene) . John Bonham’s “fantasy” sequence in “Moby Dick” is more like shots of him hanging out with his family. He’s got shorter hair than he did onstage in 1973, and is shown with some sort of a mullet, playing pool, hugging his wife.
Documentary clips that are interspersed point to Robert and Peter talking, Peter Grant arguing about how they caught people selling bootleg material inside the venue – posters – and arguing with the venue manager about it, security cops and fans hanging around outside, a cop on horseback saying “no comment,” guys getting let in without tickets, a guy getting chased and nabbed and taken into a toilet by security cops, another guy getting ejected, there is also some footage concerning the lost $200,000, for which there was a press conference at the time and some of the people fervent were taken in for questioning.
The extras on the second disc are not poor, although there’s nothing really grand there either. There’s a news recount from a Tampa TV, showing lots of long-hairs and parking lots paunchy of 1970s gas guzzlers, channel that is probably the crappiest bit of news reporting that I’ve ever heard, talking about the biggest crowd ever assembled in “the history of the world!!” Yes, 50,000 people were there, and scraggly mustachioed John Jones reported on it. “I’m joyful to say that one of the group’s four members has my same name, that’s John Paul Jones,” he cleverly points out. He repeats himself, “Now, I said this was the largest single performance crowd ever to benefit any concert in the history of the world, and I meant it!” The host then jumps in and repeats John Jones’ intro of the band: “Their names are Robert Plant, John Benham, Jimmy Page, and John Paul Jones. Robert, Jimmy, John and John; doesn’t quite have the appeal of John, Paul, George and Ringo, but they certainly have the drawing power of the Beatles.” Hey – who’s “John Benham? ” Sheesh. There’s also some more footage of the robbery of $200,000, a puny allotment of which was keep in the film, as ell as the modern film trailer. Then there’s an 8-minute long interview with Robert Plant and manager Peter Green on a boat going down the Thames, not of great interest except when Robert hints at how they “rented the sharks,” referring to the sinful shark incident with the groupie. There are four other tracks that weren’t crop into the movie: “Over The Hills And Far Away,” “Celebration Day,” “Misty Mountain Hop,” and “The Ocean.” All of the performances are straight, meaning no cutting into documentary footage or fantasy sequences.
Whether you’re a Led-Head like me or impartial a casual Zeppelin fan, this is mandatory viewing material. It’s undoubtedly one of the finest guitar performances ever caught on film. Ever. The things Jimmy pulls off are extraordinary. With this DVD you collect to sight Led Zeppelin all at the height of their creativity, talent and ability. I was a miniature surprised when I first realized that the newly included songs that were left off the novel motion portray were placed on a separate disk and not inserted into their respective places in the concert film. But then I read that due to honest reasons, they weren’t allowed to alter the current format of the film…only remaster the sound and images, but not mess around with the order of songs. So they had to set those other songs from the NY concerts on a separate disk. No biggie, at least you now have them all. The Ocean, Celebration Day and others! Some cold extras that I hadn’t seen before.
Some people who don’t understand Led Zeppelin have complained that the live versions don’t sound like the studio versions. However, Led never tried to reproduce that sound. They played these songs differently every night. Another complaint is that some say Zep live is self-indulgent. It’s not. Per Jimmy Page, Led Zeppelin live allows for all four members to pick their turn in “steering the ship.” In this manner, it’s actually very splendid to the other members and not selfish. What else can be said that hasn’t already been said by thousands (millions? ) of other Zep fans. This concert is stout and the level of musicianship is awe-inspiring. And why wouldn’t you want to peruse Jimmy at his height, playing his double-neck Gibson plus his renowned Les Pauls! If you like rock music, you’ve got to have it.
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